Abstract: 
While the debate rages on regarding the role of social media technologies within the Egyptian revolution of 2011, and more generally the larger wave of ‘Arab Spring’ protests, the more relevant question of today is whether the 18 days of revolt may have done more for social media than vice versa. In different manners, social media technologies appear to be central to this discussion. From the Muslim Brotherhood’s use of technology to engage global publics, to activist uses of social media to build grassroots networks which bypass the barriers of infrastructure and access, or blogger uses of social media to impact older top-down media, social media technologies represent critical sites for analysis and critique. Building on two years of ethnographies and interviews, this paper identifies three key themes by which social media technologies shape political power: 1. Moving Past Bubbles, 2. Linking Older and Newer Media, and 3. Digital Subversion.

Dr. Ramesh Srinivasan, Assistant Professor at UCLA in Design and Media/Information Studies, studies and participates in projects focused on how new media technologies impact political revolutions, economic development and poverty reduction, and the future of cultural heritage. He recently wrote a front page article on Internet Freedom for the Huffington Post, an Op/Ed in the Washington Post on Social Media and the London Riots, an upcoming piece in the Washington Post on Myths of Social Media, and was recently on NPR discussing his fieldwork in Egypt on networks, actors, and technologies in the political sphere. He was also recently in the New Yorker based on his response (from his blog: http://rameshsrinivasan.org) to Malcolm Gladwell’s writings critiquing the power of social media in impacting revolutionary movements. He has worked with bloggers who were involved in overthrowing the recent authoritarian Kyrgyz regime, non-literate tribal populations in India to study how literacy emerges through uses of technology, and traditional Native American communities to study how non-Western understandings of the world can introduce new ways of looking at the future of the internet. He holds an engineering degree from Stanford, a Masters degree from the MIT Media Lab, and a Doctorate from Harvard University. His full academic CV can be found at http://rameshsrinivasan.org/cv

Abstract
Each week brings new stories of how people use digital media to break the rules of political power. Or more accurately, each week brings new stories about how people have used digital media to upset powerful elites, demand political freedoms, and look for justice. Activists armed only with mobile phones take breathtaking risks because they feel empowered by the supporting social networks they have been able to build and nurture for themselves. Yet sometimes digital media also gets used for evil, and we find drug lords, holy thugs, and rogue generals using the latest information technologies to oppress the communities they rule. So how do we add up the impact of such technologies on international politics? If digital media is so important to revolutionaries, dictators and corporate interests around the world, what are the new rules of engagement in global power politics? We are entering a period of global political life I call the Pax Technica that is made possible because of new information technologies. This peace is not so much the absence of war but the presence of transparent governments, empowered citizens, open information systems, and shared norms of information access. Governments don’t always want to be opened up for scrutiny, and activists don’t always use social media very well. But it is clear that the rules of global power politics have changed.

Philip N. Howard is professor of communication, information and international studies at the University of Washington. Currently, he is a fellow at Princeton University's Center for Information Technology Policy. His latest book is Democracy’s Fourth Wave? Digital Media and the Arab Spring.  His writings appear at http://philhoward.org and tweets from @pnhoward.

Abstract:

Marking the publication of Lina Khatib's latest book Image Politics in the Middle East: The Role of the Visual in Political Struggle, this seminar focuses on the evolution of political expression in the Middle East over the past decade, highlighting the visual dimension of power struggles between citizens and leaders in Lebanon, Iran, Egypt, Libya, and Syria.

About the speaker:

Lina Khatib is a co-founder and Program Manager of the Program on Arab Reform and Democracy at the Center on Democracy, Development, and the Rule of Law at Stanford University. She joined Stanford University in 2010 from the University of London where she was an Associate Professor. Her research is firmly interdisciplinary and focuses on the intersections of politics, media, and social factors in relation to the politics of the Middle East. She is also a consultant on Middle East politics and media and has published widely on topics such as new media and Islamism, US public diplomacy towards the Middle East, and political media and conflict in the Arab world, as well as on the political dynamics in Lebanon and Iran. She has an active interest in the link between track two dialogue and democratization policy. She is also a Research Associate at SOAS, University of London, and, from 2010-2012, a Research Fellow at the USC Center on Public Diplomacy at the Annenberg School.

Lina is a founding co-editor of the Middle East Journal of Culture and Communication, a multidisciplinary journal concerned with politics, culture and communication in the region, and in 2009 co-edited (with Klaus Dodds) a special issue of the journal on geopolitics, public diplomacy and soft power in the Middle East. She also edited the Journal of Media Practice from 2007-2010. She is one of the core authors of the forthcoming Arab Human Development Report (2012) published by the UNDP.

She has written two books, Filming the Modern Middle East: Politics in the Cinemas of Hollywood and the Arab World (IB Tauris 2006), which is a study of the link between international relations and film, focusing on 25 years of cinematic representation of politics in the region (1980-2005), from the Arab-Israeli conflict to the Gulf War to Islamic fundamentalism, and Lebanese Cinema: Imagining the Civil War and Beyond (IB Tauris 2008). The book takes a socio-political approach to the study of Lebanese cinema over the last thirty years, focusing on the issues of Lebanese national identity, history, sectarian conflict, and memory of the Civil War.

Lina has recently finished writing a book titled Image Politics in the Middle East: The Role of the Visual in Political Struggle for IB Tauris. The book examines the power struggles among states, other political actors, and citizens in the region that are expressed through visuals, and focuses on case studies from Lebanon, Egypt, Syria, Libya, and Iran, with a focus on the role of the image as a political tool in the Arab Spring. She has also recently led a multidisciplinary research project on US public diplomacy in the digital age, in collaboration with the University of Oxford and the University of Wolverhampton, the outcome of which will appear in the Middle East Journal in 2012.

Before joining the academic field, Lina worked in broadcast journalism in Lebanon. She is a frequent commentator on the Middle East in the media with appearances on Al-Jazeera (Arabic and English), CNN, BBC, Sky News and other media outlets across the globe.

Abstract
At the end of February 2012, the number of mobile subscribers topped 1 billion in China, an average of around four out of every five people, and this number never stops increasing. What are the consequences of such popularity of a communication technology in China, the largest authoritarian state in the world? Among many things, the ubiquity of mobile phones in China, as in other authoritarian states, dramatically changes the way people experience and cope with everyday communication activities, offering unprecedented opportunities for them to expose discontent, air grievances, and coordinate online/offline collective resistance—in short, nourishing changes in political culture and power structure.

My study explores how people appropriate and use their mobile phones to initiate, organize, and mobilize collective resistance and popular protests in contemporary China. Specifically, my presentation will focus on mobile phone rumor as an emerging form of public resistance at the grassroots level in contemporary China. By focusing on several concrete case studies with 80+ in-depth interviews, my study observes that the low-cost and user-friendly mobile device lowers the average protest threshold, creating an opportunity for people, especially those without complicated communication skills, to organize or participate in resistance. The mutual visibility of meta-communication through mobile network greatly increases both credibility of information and sense of security for participation. Additionally, the synchronous mobile communication accumulates rumor discourse into resistance in a very short time. As a kind of contentious politics, rumor communication via mobile phones shows the opposition to government censorship and control of communications, and most important, the resistance against the use of the accusation of “rumor” by authorities to stifle any different voices.

Finally, I will highlight that both the Party-state mass media and the Internet in China tend to focus our gaze too much on “public” communications flows and their related public sphere, ignoring invisible but relevant interpersonal communication as well as the fact that the motivation and actions of human beingsare rooted in the experiences of everyday life.

Jun Liu just finished his Ph.D. study at University of Copenhagen and is currentlya visiting researcher in Stanford University. His research interest covers the relationship between media, contemporary culture, and political and social change in China with particular attention to the importance of new media andcommunications technologies including the Internet and mobile phones. He has a Ph.D. in Chinese studies. He has articles published and forthcoming in several academic journals, including Modern Asian Studies and the Journal of Computer-Mediated Communication.