Abstract
Telecommunications carriers and service providers now play an essential role in facilitating modern surveillance by law enforcement agencies. The police merely select the individuals to be monitored, while the actual surveillance is performed by third parties: often the same email providers, search engines and telephone companies to whom consumers have entrusted their private data.

 Although assisting Big Brother has become a routine part of business, the true scale of law enforcement surveillance has long been shielded from the general public, Congress, and the courts. However, recent disclosures by wireless communications carriers reveal that the companies now receive approximately one and a half million requests from U.S. law enforcement agencies per year.

When automated, industrial-scale surveillance is increasingly the norm, is communications privacy a thing of the past? For those of us who'd like to keep our private information out of government databases, what options exist, and which tools and services are the best?

 Christopher Soghoian is the Principal Technologist and a Senior Policy Analyst with the Speech, Privacy and Technology Project at the American Civil Liberties Union. He is also a Visiting Fellow at Yale Law School's Information Society Project.

He completed his Ph.D. at Indiana University in 2012, which focused on the role that third party service providers play in facilitating law enforcement surveillance of their customers. His research has appeared in publications including the Berkeley Technology Law Journal and been cited by several federal courts, including the 9th Circuit Court of Appeals.

Between 2009 and 2010, he was the first ever in-house technologist at the Federal Trade Commission's Division of Privacy and Identity Protection, where he worked on investigations of Facebook, Twitter, MySpace and Netflix. Prior to joining the FTC, he co-created the Do Not Track privacy anti-tracking mechanism now adopted by all of the major web browsers.

Abstract:

Marking the publication of Lina Khatib's latest book Image Politics in the Middle East: The Role of the Visual in Political Struggle, this seminar focuses on the evolution of political expression in the Middle East over the past decade, highlighting the visual dimension of power struggles between citizens and leaders in Lebanon, Iran, Egypt, Libya, and Syria.

About the speaker:

Lina Khatib is a co-founder and Program Manager of the Program on Arab Reform and Democracy at the Center on Democracy, Development, and the Rule of Law at Stanford University. She joined Stanford University in 2010 from the University of London where she was an Associate Professor. Her research is firmly interdisciplinary and focuses on the intersections of politics, media, and social factors in relation to the politics of the Middle East. She is also a consultant on Middle East politics and media and has published widely on topics such as new media and Islamism, US public diplomacy towards the Middle East, and political media and conflict in the Arab world, as well as on the political dynamics in Lebanon and Iran. She has an active interest in the link between track two dialogue and democratization policy. She is also a Research Associate at SOAS, University of London, and, from 2010-2012, a Research Fellow at the USC Center on Public Diplomacy at the Annenberg School.

Lina is a founding co-editor of the Middle East Journal of Culture and Communication, a multidisciplinary journal concerned with politics, culture and communication in the region, and in 2009 co-edited (with Klaus Dodds) a special issue of the journal on geopolitics, public diplomacy and soft power in the Middle East. She also edited the Journal of Media Practice from 2007-2010. She is one of the core authors of the forthcoming Arab Human Development Report (2012) published by the UNDP.

She has written two books, Filming the Modern Middle East: Politics in the Cinemas of Hollywood and the Arab World (IB Tauris 2006), which is a study of the link between international relations and film, focusing on 25 years of cinematic representation of politics in the region (1980-2005), from the Arab-Israeli conflict to the Gulf War to Islamic fundamentalism, and Lebanese Cinema: Imagining the Civil War and Beyond (IB Tauris 2008). The book takes a socio-political approach to the study of Lebanese cinema over the last thirty years, focusing on the issues of Lebanese national identity, history, sectarian conflict, and memory of the Civil War.

Lina has recently finished writing a book titled Image Politics in the Middle East: The Role of the Visual in Political Struggle for IB Tauris. The book examines the power struggles among states, other political actors, and citizens in the region that are expressed through visuals, and focuses on case studies from Lebanon, Egypt, Syria, Libya, and Iran, with a focus on the role of the image as a political tool in the Arab Spring. She has also recently led a multidisciplinary research project on US public diplomacy in the digital age, in collaboration with the University of Oxford and the University of Wolverhampton, the outcome of which will appear in the Middle East Journal in 2012.

Before joining the academic field, Lina worked in broadcast journalism in Lebanon. She is a frequent commentator on the Middle East in the media with appearances on Al-Jazeera (Arabic and English), CNN, BBC, Sky News and other media outlets across the globe.

Abstract
At the end of February 2012, the number of mobile subscribers topped 1 billion in China, an average of around four out of every five people, and this number never stops increasing. What are the consequences of such popularity of a communication technology in China, the largest authoritarian state in the world? Among many things, the ubiquity of mobile phones in China, as in other authoritarian states, dramatically changes the way people experience and cope with everyday communication activities, offering unprecedented opportunities for them to expose discontent, air grievances, and coordinate online/offline collective resistance—in short, nourishing changes in political culture and power structure.

My study explores how people appropriate and use their mobile phones to initiate, organize, and mobilize collective resistance and popular protests in contemporary China. Specifically, my presentation will focus on mobile phone rumor as an emerging form of public resistance at the grassroots level in contemporary China. By focusing on several concrete case studies with 80+ in-depth interviews, my study observes that the low-cost and user-friendly mobile device lowers the average protest threshold, creating an opportunity for people, especially those without complicated communication skills, to organize or participate in resistance. The mutual visibility of meta-communication through mobile network greatly increases both credibility of information and sense of security for participation. Additionally, the synchronous mobile communication accumulates rumor discourse into resistance in a very short time. As a kind of contentious politics, rumor communication via mobile phones shows the opposition to government censorship and control of communications, and most important, the resistance against the use of the accusation of “rumor” by authorities to stifle any different voices.

Finally, I will highlight that both the Party-state mass media and the Internet in China tend to focus our gaze too much on “public” communications flows and their related public sphere, ignoring invisible but relevant interpersonal communication as well as the fact that the motivation and actions of human beingsare rooted in the experiences of everyday life.

Jun Liu just finished his Ph.D. study at University of Copenhagen and is currentlya visiting researcher in Stanford University. His research interest covers the relationship between media, contemporary culture, and political and social change in China with particular attention to the importance of new media andcommunications technologies including the Internet and mobile phones. He has a Ph.D. in Chinese studies. He has articles published and forthcoming in several academic journals, including Modern Asian Studies and the Journal of Computer-Mediated Communication.

Abstract
Drawing on fieldwork among Free and Open Source software hackers and the Anonymous protest movement, I will discuss some attributes of hacker and geek activism that set their actions apart from other modalities of dissent and contextualize their actions in light of broader historical trends concerning censorship, intellectual property law and surveillance.

Gabriella (Biella) Coleman is the Wolfe Chair in Scientific and Technological Literacy in the Art History and Communication Studies Department at McGill University. Trained as an anthropologist, teaches, researches, and writes on computer hackers. Her work examines the ethics of online collaboration/institutions as well as the role of the law and digital media in sustaining various forms of political activism. Her first book, "Coding Freedom: The Aesthetics and the Ethics of Hacking" is forthcoming with Princeton University Press and she is currently working on a new book on Anonymous and digital activism.

Abstract
The manifestations of 'open' are permeating the society enabled by the rise of participatory culture and improved communication technologies. In her research, Tanja Aitamurto examines the impact of openness on traditionally closed processes such as journalism, policy-making and design. Aitamurto draws on several case studies, in which collective intelligence is harnessed through crowdsourcing, open innovation and co-creation. Her work is based on data from 150 in-depth interviews and about 8,000 data points recorded by netnography. Aitamurto's research is situated in social sciences, informed by organization studies and management science and engineering. She finds that the 'open' challenges the incumbent power structures when participatory mechanisms become a means to practice social control.

Tanja Aitamurto is a visiting researcher at the Program on Liberation Technology at the Center on Democracy, Development and the Rule of Law at Stanford. In her PhD project she examines how collective intelligence, whether harvested by crowdsourcing, co-creation or open innovation, impacts incumbent processes in journalism, public policy making and design process. Her work has been published in several academic publications, such as the New Media and Society. Related to her studies, she advises the Government and the Parliament of Finland about Open Government principles, for example about how open data and crowdsourcing can serve democratic processes.

Aitamurto has previously studied at the Center for Design Research and at the Innovation Journalism Program at Stanford. She is a PhD Student at the Center for Journalism, Media and Communication Research at Tampere University in Finland, and she holds a Master’s Degree in Public Policy, and a Master of Arts in Humanities. Prior to returning to academia, she made a career in journalism in Finland specializing in foreign affairs, doing reporting in countries such as Afghanistan, Angola and Uganda. She has also taught journalism at the University of Zambia, in Lusaka, and worked at the Namibia Press Agency, Windhoek. More about Tanja’s work at www.tanjaaitamurto.com and on Twitter @tanjaaita.

Abstract:

Marking the publication of Lina Khatib's latest book Image Politics in the Middle East: The Role of the Visual in Political Struggle, this seminar focuses on the evolution of political expression in the Middle East over the past decade, highlighting the visual dimension of power struggles between citizens and leaders in Lebanon, Iran, Egypt, Libya, and Syria.

About the speaker:

Lina Khatib is a co-founder and Program Manager of the Program on Arab Reform and Democracy at the Center on Democracy, Development, and the Rule of Law at Stanford University. She joined Stanford University in 2010 from the University of London where she was an Associate Professor. Her research is firmly interdisciplinary and focuses on the intersections of politics, media, and social factors in relation to the politics of the Middle East. She is also a consultant on Middle East politics and media and has published widely on topics such as new media and Islamism, US public diplomacy towards the Middle East, and political media and conflict in the Arab world, as well as on the political dynamics in Lebanon and Iran. She has an active interest in the link between track two dialogue and democratization policy. She is also a Research Associate at SOAS, University of London, and, from 2010-2012, a Research Fellow at the USC Center on Public Diplomacy at the Annenberg School.

Lina is a founding co-editor of the Middle East Journal of Culture and Communication, a multidisciplinary journal concerned with politics, culture and communication in the region, and in 2009 co-edited (with Klaus Dodds) a special issue of the journal on geopolitics, public diplomacy and soft power in the Middle East. She also edited the Journal of Media Practice from 2007-2010. She is one of the core authors of the forthcoming Arab Human Development Report (2012) published by the UNDP.

She has written two books, Filming the Modern Middle East: Politics in the Cinemas of Hollywood and the Arab World (IB Tauris 2006), which is a study of the link between international relations and film, focusing on 25 years of cinematic representation of politics in the region (1980-2005), from the Arab-Israeli conflict to the Gulf War to Islamic fundamentalism, and Lebanese Cinema: Imagining the Civil War and Beyond (IB Tauris 2008). The book takes a socio-political approach to the study of Lebanese cinema over the last thirty years, focusing on the issues of Lebanese national identity, history, sectarian conflict, and memory of the Civil War.

Lina has recently finished writing a book titled Image Politics in the Middle East: The Role of the Visual in Political Struggle for IB Tauris. The book examines the power struggles among states, other political actors, and citizens in the region that are expressed through visuals, and focuses on case studies from Lebanon, Egypt, Syria, Libya, and Iran, with a focus on the role of the image as a political tool in the Arab Spring. She has also recently led a multidisciplinary research project on US public diplomacy in the digital age, in collaboration with the University of Oxford and the University of Wolverhampton, the outcome of which will appear in the Middle East Journal in 2012.

Before joining the academic field, Lina worked in broadcast journalism in Lebanon. She is a frequent commentator on the Middle East in the media with appearances on Al-Jazeera (Arabic and English), CNN, BBC, Sky News and other media outlets across the globe

On May 16, 2012, President Dilma Rousseff inaugurated the Truth Commission (Comissão da Verdade) and announced the Access to Information Law (Lei de Acesso à Informação).  Inspired by other Truth Commissions in other countries such as Argentina, Chile, Peru, Guatemala and El Salvador, the Brazilian Truth Commission has its own distinctive characteristics that respond to specific national political culture and costumes. Understanding these characteristics is fundamental to recognize how these laws may represent and advance the process of accountability for human rights violations in Brazil and the challenges that still persist due to opposing positions between the Legislative and Executive powers that have recognized these violations and a conservative Judiciary supported by the military.